Monday, 20 November 2017

Where, oh where, is my Francis Lovell? Not in The White Princess, definitely.

Usually, I am writing articles on this blog about aspects of Francis`s life, about the people in his life, and about who Francis was.

This article here, however, will be about who he was not, namely the character bearing his name featuring in the Starz show "The White Princess".

Naturally, the show is not meant to be a documentary, and it does admit to making changes to people and events for drama. There is nothing wrong with that in itself; a TV show is meant to entertain, not to teach.

However, if the characters in the show are not just meant to have the names of historical figures by accident, there has got to be some kernel of truth to their representation of these people. And there is nothing at all that even vaguely resembles Francis in the character called Francis Lovell in "The White Princess".

I have already complained once that this happens in many fictional depictions of the time, but in "The White Princess" it is particularly jarring. The character does not seem to have any opinions of his own. Most of his actions are because someone else tells him to act, and there is no indication given what he even thinks about them. Moreover, he is shown to be a complete failure at doing whatever he does, and gets mocked for it.

The first mention of him in the show is in the beginning of the second episode, when Elizabeth of York and her mother discuss potential ways to stir up a rebellion. His name is mentioned, and Elizabeth of York says Richard told her he was the "purest, whitest York in England" and therefore suited to the job, despite the fact he accepted Henry VII as king and apparently did not show the slightest bit of discontent with this decision.

Not that this character has any reason to, because apart from the one reference by Elizabeth of York, neither he nor anyone else mention he had any sort of relationship with Richard, and he does not show at any time why he was praised so much as the "purest, whitest York", since he shows no interest in the actual Yorkists. The only person he seems to have a vague interest in is Elizabeth Woodville.

It is not explained why he is prepared to risk his life to rebel because she told him to, or how they even became so close that she is ready to ask him to do so. This is particularly weird since it was her daughter who even assured her he was the man to contact, which does not suggest a particularly close relationship between these two characters.

However, this character obligingly does what Elizabeth Woodville tells him, and tries to stab Henry VII when he arrives in York, in a scene presumably inspired by his real-life assassination attempt as Henry was approaching York and attempted kidnap when Henry was in York. He fails, however, only stabbing his arm, and flees, never to be seen again in the episode. Nor does either Henry or anyone else even think he has any importance; everyone immediately knows that it was either Elizabeth of York or Elizabeth Woodville who made him do this. The show very clearly presents Francis as no danger once the person pulling his strings is exposed. Everyone knows for certain that he can`t think for himself.

His next appearance is in the third episode, at the court of Margaret of York (which is, rather weirdly, said to be in "Burgundy, France", which I am sure Margaret would not agree with). He is standing by, awkwardly, while Margaret, Cecily Neville and Mary of Burgundy discuss if they are going to accept the peace envoy from Henry VII or not. Naturally, Cecily Neville was in England in real life at that point, and Mary of Burgundy had been dead for nearly four years, but since the peace envoy they are talking about also never happened, that is perhaps fitting.

Francis is not asked for his opinion nor does anyone even care to hear it when he shares it. He argues to fight so they can "stand with Elizabeth" - presumably Woodville, not her daughter, though this is never explicitly said - and is mocked by Margaret that maybe he should have managed stabbing Henry VII to death if he was so keen on rebellion. Francis looks awkward, everyone gets to laugh at him for being stupid and a failure, and then he leaves again, without trying to argue his case or trying to defend his honour, presumably because he realised his screentime for the episode was up.

The forth episode is the last one in which he has a part, and even though it is meant to chronicle the Simnel Uprising, which in real life Francis had a large part organising, he is not in it for more than maybe three minutes. Elizabeth Woodville writes letters to rally the Irish lords - her (supposed) unpopularity because of rumours as to how the Earl of Desmond died is not referenced - freeing Francis up to make inane comments showing how much he does not understand how to organise a rebellion and what the rebellion is even about, and being chided by Cecily Neville for being an idiot. Francis looks awkward, everyone gets a laugh in at him being stupid, and he disappears again until it is time for battle

He appears for some seconds then, in the front line next to a beggar boy called Lambert Simnel he somehow brought to Burgundy in ways completely unexplained, where he was trained to fail dismally at Stoke, and John de la Pool [sic], who manages the feat of being even more devoid of personality than Francis. Francis then dies, having his throat slit in battle, bleeding all over Simnel, then falling over without saying a word. His death is never spoken about after that, no one seems to care or even think about him and his demise, his character forgotten as befitting one that had no real impact on anything, had no thought of his own, and whose main purpose seems to have been showcasting how laughable and wrong the rebels were.

This, then, is what the show made of Francis Lovell.

In real life a man who was so well-liked that not the most hostile of sources written in Tudor times ever connected him with any of his best friend Richard III`s alleged crimes, so calm and uncontroversial he was never said to be involved in any plotting, who was so loyal and loving he literally gave up everything for Richard III after his death, who despite having never shown any interest in conflict his entire life masterminded one assassination attempt and one kidnap attempt on Henry VII as well as two rebellions.

In real life, also a man who likely faced abuse from his father in the first years of his life, lost his mother before his tenth birthday, had to see his guardian and his father-in-law rebel against the king and fight against others such as Richard of Gloucester, whom he had grown up with, quite likely had to suffer ill-health during his life, the knowledge he could not have children, who lost his (twin?) sister before she was 26, lost the man he clearly loved most to a horrid death, who fought and fought again to avenge Richard, who survived the Battle of Stoke only to most likely die within the year, only thirty years old.

This show makes him a clueless, witless puppet of others who did not care for what he was doing, had no motivation for doing what he did, no connection to the Yorkist cause except an unexplained need to listen to whatever Elizabeth Woodville told him, who is unintelligent, not capable of understanding other people`s hardships like Margaret of York`s wrongly-timed loss of Mary of Burgundy, whose death is a logical consequence of his silly actions and completely avoidable had he settled for a problem-less life under Henry VII.

It is not just changing a bit about his character for drama. It is an insult to the real man and everything he was, and, moreover, a completely inexplicable insult, for it would have in no way made for worse drama and entertainment to show even a bit of what he was in the show, rather than the bland, uninteresting character they showed.

2 comments:

  1. Very well said. I can't watch TWP. Saw TWQ, and hated how they had assassinated Richard's character by the end with the idea that he could have committed incest. I also didn't know that there was anyone out there who felt so deeply about poor Frances, though I am no scholar in this area.

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    1. Agree about Richard's character. That is the reason because I prefer BBC's version (in it there isn't incest and added some good scenes).

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